Real TV and Entertainment Tonight - 1997-09-29

Channel: malgent

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Duration: PT3528S

Read a transcript preview of “Real TV and Entertainment Tonight - 1997-09-29” from malgent, uploaded on 2026-01-12.

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Language: English (original, YouTube automatic captions)

[0:00] Bust crooked doctors.

[0:02] >> You're out of here.

[0:03] >> Cameras capture the slip that nearly

[0:05] cost this man his life. And you'll get a

[0:08] hoot out of the stylish owl who loves to

[0:11] take mud baths. Whatever you do, don't

[0:14] blink. This show is smoking. It's time

[0:18] for real TV.

[0:26] >> [music]

[0:27] >> Hi, I'm John Daly back with more great

[0:29] tapes and the stories behind them. We

[0:31] begin with a cameraman who got too close

[0:33] to the action. Our reporter Sabila

[0:34] Vargas shows you his tape.

[0:37] >> It's a tough uphill climb, but these

[0:40] bikers are even tougher.

[0:43] You're watching the American Motorcycle

[0:45] Prohill Climb Championship Series

[0:50] and the steep slopes of Haydenville,

[0:52] Ohio are lined with racing fans.

[0:57] These specially built bikes can tear up

[1:00] a hill at 70 m an hour.

[1:04] Freelance cameraman Glenn Mazone is in

[1:06] perfect position to catch the fast and

[1:09] filthy action.

[1:11] Glenn is used to having dirt flung in

[1:13] his face, and this cameraman barely

[1:15] flinches.

[1:17] He always gets his shot.

[1:22] Another camera catches the race from

[1:24] behind the riders. These motorcyclists

[1:26] are the best in the business, but when a

[1:29] 300 horsepower bike barrels uphill, even

[1:32] the most experienced rider can lose

[1:34] control.

[1:37] Standing halfway up the hill, Glenn

[1:39] trains his camera on number 17, revving

[1:42] his engine for his shot up the hill.

[1:45] >> But something's seriously wrong. And the

[1:47] racer is heading straight for the

[1:49] cameraman.

[1:54] >> Don't Don't touch him. Don't Don't touch

[1:56] him. Do not touch him.

[1:58] >> Glenn is down and [music] badly hurt,

[2:00] but his camera is still rolling as help

[2:02] arrives.

[2:06] >> [music]

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